Kaitlin Frick at The People's Museum for Prince
Dan Pratt, Jill Boogren, Kirk Thoren
Kaitlin Frick

Kaitlin Frick

Seattle, WA
Paisley Park in Winter (Grace is Close to Home)
Etching, 2016

On a snowy Saturday back in 2013, my partner Clara and I ran some errands. It was the tail end of a volatile year. For six months I had been in an existential crisis of sorts and wanted nothing more than to move away from Minnesota. When Clara suggested we could hit up the southwest suburbs for our provisions, I lit up. Could we take Highway 5? And stop by Paisley Park?! A few months earlier, we had visited the purple palace for the first time, as our Prince was beginning to re-engage with fans in the space. We waited for hours in the rain, making beautiful, new friends before finding ourselves 20 feet from our hero's soundstage. In what was one of the most surreal nights of my life (certainly the funkiest), Prince made music that was bigger than any anguish or anxiety I'd been feeling; at Paisley Park, my preoccupations didn't stand a chance. My heart grew purple with pride. That's what I was thinking about as we pulled off in front of Paisley Park. I climbed a small snowbank, creeping real close to the fence. What I saw took my breath away. I loved the gracefulness of the fence lines and the stillness of the fresh snow blanketing the ground. I snapped a photo and ran back to the car. I posted it to my Instagram, captioning it Purple Snow. A year later I returned to the image in the studio. I settled in with a couple copper plates and began to work it into an intaglio print. As I etched, scraped and burnished, I sought refuge in the image, not as a place of escape as much as a source of pride. Paisley Park was a manifestation of Prince's love for this state, and that touched me deeply. April 21, 2016 was the heaviest of days. I left work early and walked home, weeping in the rain. The entire city was struck with grief. The fence at Paisley Park grew thick with flowers, photos, balloons, and poetry. I hadn't finished my print yet, but I knew its meaning had shifted in an instant, from presence to absence. The title Grace is Close to Home is a lyric from a favorite song of mine by the electronic duo Mount Kimbie. Paisley Park had been a foothold for me during a dark time, and instilled in me a sense of pride that will never be displaced.

Kaitlin Frick is a music fan and nonprofit worker currently based in Seattle.

Kaitlin Frick — Paisley Park in Winter (Grace is Close to Home)
Etching · 2016

At the Museum — Roberts Gallery

Installation view — Kaitlin Frick, Paisley Park in Winter (Grace is Close to Home) Installation view — Kaitlin Frick, Paisley Park in Winter (Grace is Close to Home)
Event photo — Kaitlin Frick at The People's Museum for Prince Event photo — Kaitlin Frick at The People's Museum for Prince
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